Code No

Particulars

CMA  1 UV FILTER  (Lens Protection Filter)
Uncovered Camera lens has to be cleaned again and again. Its coating is wipped off, polish diminishes & lens becomes soft & blurred. A UV Filter is a permanent lens protector which helps to keep the sharpness & original of camera lens intact
37 mm,  40.5 mm,  43 mm,  46 mm,  48 mm
49 mm,  52 mm,    55 mm,  58 mm
62 mm,  67 mm,  72 mm
77 mm, 82 mm
CMA  2 LENS HOODS
Lens Hoods prevents extraneous & unwanted light falling on the lens and increases sharpness . Also saves the lens for accidental bumps & knocks.
Metal Lens Hoods For Normal Lenses
49 mm, 52 mm,  55 mm,  58 mm
62 mm
43 mm, 46 mm,  48 mm
Folding Rubber Lens Hoods For Normal Lenses
This Lens hood has double threaded mount and accepts the lens cap or any other filter attachment without removal of the hood from the camera lens. The camera case can be closed easily with this accessory attachment.
Wide Angle Metal Lens Hoods
(For Wide Angle lenses of FL 28 & 35mm & Mini Zoom Lenses)
49 mm, 52 mm,  55 mm,  58 mm
62 mm,  67 mm , 72 mm                                                               
77 mm
CMA  3 EYE PIECE ADAPTERS (For SLR Cameras)
It is fitted onto the view finder. It helps Cameraman in quick, clear & comfortable focussing  by cutting off unwanted lights. Its UV glass protects the viewfinder from dirt & dust.
PENTAX , MINOLTA , CANON , OLYMPUS
NIKON F/F-2 WITH UV & RUBBER CUP
NIKON F-3 /801 WITH UV & RUBBER CUP
  NIKON WITH UV - WITHOUT RUBBER CUP
CMA  4 CABLE RELEASE ( With auto-lock)
  Provided with metal woven sleeve, finger grip and auto-lock system. Aunique attachment for preventing camera movement when the  camera is being used on tripod, copy stand or copipod at slow shutter speeds.
  12" (30 cms)
  16" (40 cms)
  20" (50 cms)
CMA  5 BLOWER BRUSH
  It blow & wipes dust from lens. It does not rub, thus saves the lens from scratches.
CMA  6 CLOSE-UP LENSES
  Depending upon diopter, close -up lenses help you go  closer to subject and help you to enlarge a particular portion from a group photograph and to capture details of  fingerprints, insects, flowers, jewellery & countless other subject in all their tiny detail, Because of short distance , depth - of - field being shallow, use of smallest lens stop is recommended. Close -up lenses do not interfere with the automatic, diaphragm of the master lens , nor do they need any exposure compensation and can be used singly or in combination.
  Close-Up Kit ( 3 Piece Set)
  .+1, +2, +3 MACRO
  49 mm, 52 mm
  55 mm
  58 mm
  Close-Up Kit ( 4 Piece Set)
  .+1,+2,+4, MACRO
  49 mm, 52 mm
  55 mm
  58 mm
  Close Up Lens (IN INDIVIDUAL PACKING)
                                              +1                   +2                +3                +4
  49 mm, 52mm                       40                   40                 40                42
  55 mm                                  42                   42                 42                45
  58 mm                                  45                   45                 45                 50
  62 mm , 67 mm, 72 mm       165                  165               165               N.A
77 mm                                250                  250               250              N.A
CMA  7 EXTENSION TUBE ( Five Section Set)
* He Mount - To fitted onto camera body.
* She Mount - Accepts the camera lens.
* Three numbers intermediate sections of 6mm, 12mm & 24mm Length
The attachment  is to be fitted to in between the camera lens and camera body . By using  the complete set we get life size magnification with optimum sharpness. The intermediate sections can be used single or in combination as per required magnification. An exposure compensation of two stops  recommended for life size magnification.
NIKON PENTAX--K
CANON
CMA  8 SLIDE COPYING HOLDER
In Simple when your camera with its lens is equipped with extension tube or extension bellow, our slide copying holder can be employed for holding slide mounted of any thickness for duplication of slides with little cropping & alignment
SALIENT FEATURES
a) Helical Focussing mount ( Bellow focussing like movement)
b) Drop-in frame with Springly grip for parallel & precise slide-holding
c) Provided with white opal diffuser for uniform light distribution, to reduce contrast and prevent hot spots.
NIKON   PENTAX-K      MINOLTA
CANON  YASHICA       OLYMPUS
CMA  9 CAPS
The word caps stands for protection. Made of aluminium or unbreakable plastic they cover front & rear mount of the lens and camera bodies, protecting them from dirt , dust & dents.
Snap-On-Type Front Lens Caps (Plain)
49 mm, 52 mm,  55 mm
46 mm, 48 mm, 58 mm
62 mm, 67mm
72 mm
77 mm , 82 mm
Snap-On-Type Front Lens Caps
(Embossed with camera names)
  49 mm             52 mm              55 mm        46 mm
  PENTAX           NIKON
  OLYMPUS       COSINA    
  MINOLTA         MINOLTA          MINOLTA
                         CANON            CANON
                         VIVITAR           VIVITAR
                         YASHICA         YASHICA     YASHICA
  Metal Front Lens Caps
  49 mm
  52 mm,  55 mm
  58 mm
  62 mm
  40.5 mm, 43 mm, 46 mm, 48 mm
  67 mm, 72 mm
  77 mm, 82 mm
  Rear Lens Caps
  NIKON, PENTAX , CANON, MINOLTA, OLYMPUS
  Camera Body Caps
  NIKON, PENTAX , CANON, MINOLTA, OLYMPUS
  STACKAP
  It is a cap set for safe storage of same size accessories. Accessories  in hand, screwed with each with other, from a group . The naked ends can then be covered with stackap (set of two caps),  on of inner and other having outer threads. Its multiple advantage are compact storage, easy carrying, occupying minimum space and instant selection of require accessory.
  49 mm
  52 mm,  55 mm
  58 mm
  62 mm
  67 mm, 72 mm
77 mm, 82 mm
CMA  10 FLASH CORDS
Used for connecting the camera to flashgun for synchronisation , with different plugging systems at one end to suit various make of models of flashguns.
STRAIGHT CORDS
CRC  Vesta/ Achiever/ Simpex
Starblitz
Kako 928
Raynox / Hotshot/ Amblitz
Double Nipple
Canon / Toshiba
502 / Mega 80
202 / Agil 160/ Nishan/ Popular 606
Single ( one side of fit camera, other side open )
Vivitar / National (Genuine)
Metz -45 CTI (Genuine)
Metz -45 CLI , 3, 4 - 45  CT3, 4 - 60 CT4
COILED CORDS
502/ Mega 80
202/Agil 160/ Nishan/ Popular 606
EXTENSION CORDS
Having male & female plugs, they render extension to flash cords, enabing to sychronies the flashguns at variable disances from the camera
1 Meter
2 Meter
3 Meter
5 Meter
8 Meter
CMA  11 MULTI WAY PLUG
With the help of this adapter upto three flashguns can be operated at a time. It has four plugs on male & three female. Male Plug is attached to camera's cord connecting point and female plugs are used for plugging extension cords, thus synchronising  upto three flashguns at various distances.
CMA  12 RCA/RCA CORD SET    (Coaxial Cable)
Used for Dubbing (copying) or connecting to a  TV set with video and audio input sockets. Strictly qualifies the required international standard.
CMA  13 STUDIO LIGHT SYNCHRO CORD (Umbrella Cord )
For Problitz / Prolite
( Common For both the models)
CMA  14 SLAVE UNIT
Used to synchronise  the second flashgun without wire upto 60 feet and can work at a greater distance upto 100 feet by using high power master flashgun. Even it works 180 digree sensing angle, it is advisable to set unit facing towards the master flashgun mounted with your camera. Unaffected by sunlight , responds only to flashlight (Speedlight).
CMA  15 POWER PACK ( For Metz Flashguns)
This empty pack  replaces the original unserviceable unit.
CMA  16 FLASH BRUACKETS
MULTIPURPOSE FLASH BRACKET
* The Bracket can be used hand held can also be mounted on the camera stand.
* Flashgun can be rotated 360 0 for Bounce lighting
* Detachable " Flash Mount Shoe " can also be fixed on the tripod, to use the flashgun " off the camera"
* To shoot transparency & negative simultaneously two cameras can be mounted on the bracket side by side .
* " Bounce shoe" and " Synchro Shoe " can also be mounted on the bracket
REVERSIBLE FLASH BRACKET
* The Bracket can be used   right angle down and right angle up in both ways.
* Specially designed for outdoor portraits to avoid shadows on the face and in particular under the chin.
* For Bounce lighting flashgun can be rotated 360o .
* Detachable " Flash Mount Shoe " with tripod socket enable to use the flashgun of the camera.
BAR SHAPE FLASH BRACKET
The straight bracket made of flat metal strip with fixed " Flash Mount Shoe", Rubber mat and a Movable Screw .
L OR Z SHAPE FLASH BRACKET
  Used for mounting the flashgun by side of the camera. The fitted bracket is made of flat metal strip with rubber mat, fixed " Flash Mount Shoe ", Hand Shaped Plastic Grip for perfect holding and movable screw
  FLASH BRACKET FOR METZ FLASH GUNS
  FLASH BRACKET FOR METZ FLASH GUNS
  SPARE " FLASH MOUNT SHOE"
CMA  17 HOT SHOE ADAPTERS
  HOT SHOE
  This adapter converts camera's "hot shoe contact"into "flash cord connecting point
  SYNCHRO SHOE
  This adapter provides flash cord provision to the flashgun having hot shoe contact only. Provided with two synchro points
  MULTIPURPOSE HOT SHOE
  MULTIPURPOSE HOT SHOE PROFESSIONAL MODEL
  Both the models have two synchro points and one test fire button. Help using one or two off camera flashguns and their test-check without operating shutter.
  VIVITAR HOT SHOE
  All metal, unbreakable with flash connecting point and test fire button. Replaces the broken shoe of vivitar flashguns.
  STARBLITZ HOT SHOE
  Replaces the broken shoe of Starblitz flashgun. Features same as in Vivitar hot shoe.
CMA  18 BOUNCE SHOE
  Sturdy, Compact , with tripod socket. Bounces 360o horizontal and 180o vertically. Can be attached to the camera's accessory shoe and also on the tripod for providing indirect lighting to your subje
CMA  19 MICROSCOPE ADAPTER
  It is an attachment used for photomicrography in the medical , biological and scientific fields . It connects the camera body to adapter draw tube of the microscope. The optics of the microscope works and the camera lens is not used. Gives upto 400x magnification. Suitable for focussing stage microscope with drawtube of 25mm outer dia and 10x ocular.
  PENTAX (SCREW)
  NIKON, PENTAX-K, MINOLTA, YASHICA
  CANON
CMA  20 LENS REVERSAL
  With this adapter the camera lens can be fitted in its reverse position onto the camera body. An inexpensive way in capturing subject from 4-5"with optimum sharpness.
  NIKON, PENTAX-K, MINOLTA, YASHICA
  CANON
CMA  21 T-2 MOUNT ADAPTERS
  Some of the non-auto camera lenses, slide-duplicators, bellow focussing units, astronomical telescope, microscope adapter and a number of other attachment come in T-2 thread mount. All these attachment can be mounted onto various SLR camera bodies with the help of relevant adapters.
  NIKON   PENTAX-K      MINOLTA
  CANON
  PENTAX (SCREW)
CMA  22 LENS CONVERSION  ADAPTERS
  Pentax (screw) Lens can be used on certain bayonet mount SLR bodies with the help  of relevant adapters. They allow shooting at all distance upto infinity. However, metering is by stopdown method
  PENTAX MOUNT ADAPTER 'K'
  MINOLTA LENS MOUNT CONVERTER 'P'
  MINOLTA LENS MOUNT CONVERTER 'P'
  CANON LENS MOUNT CONVERTOR 'P'
CMA  23 STEPPING RINGS  (Step-up & Step-down)
  They help adapting filter & accessories of unmatched size onto the front of camera lens mount . Where as no precaution is required in  using step-up rings; care has to be taken while using step-down rings to avoid vignetting.
  58-49,  58-52,  58-55
  55-49,  55-52,  55-58
  52-49,  52-55,  52-58
  49-52, 49-55,  49-58
  37-49, 40.5-49, 43-49, 62-58
  72-62, 72-67
  67-62, 67-72
  62-67, 62-67
  82-77, 77-82
  77-82, 72-77
  72-82, 82-72
CMA  24 VCR BATTERY CHARGING CLIP
  This connector is used to  charge the battery pack of the video camera. One side of the connector is connected with the "Battery pack" and the other side is connected with "Battery Pack Charging Socket" of the A.C Adapter.
CMA  25 VIDEO LIGHT ADAPTER (Metal Base)
  Alternate of lightman. The attachment when coupled with  halogen light can be mounted onto the  accessory shoe of video camera, enabling the cameraman to shoot independentaly, whenever the need arises
CMA  26 WIND SHIELD (Microphone Foam Cover of Video Cameras)
  By lapse of time this part of microphone undergo decay thus effecting the sensitivity of the microphone and needs its instant replacement. CENTRAL  offers yor the item , real  substitute of the original of various models of video cameras.
  M-7, M-5 & Similar models
  M-1000, M-3000, M-9000
CMA  27 EYE PIECE ASSEMBLY
  FOR  M-1000 VIDEO CAMERA
  FOR  M-3000 VIDEO CAMERA
  The item comprises of three parts
  1) Rubber eye cup  2) Magnifying glass  3) Detachable housing.
  The original assembly becomes inoperative and needs replacement because of:
  * With the lapse of time, the rubber eye cup looses its original properties and also appearance in the shape and bacomes unusable.
  * Ofiginal magnifying glass as made of plastic, the scratches appears on its surfaces a little early , its polish diminishes resulting an unsharp and blurred view.
  * The hinges of the detachable housing becomes loose making the lock nonfunctional or breakaway and the housing is separated from the electronic viewfinder.
  CENTRAL Eye Piece Assembly replaces the worn-out original unit perfectly.
CMA  28 SPARE EYE RUBBER CUP
  The worn out eye rubber cup of electronic viewfinder of video cameras can be replaced with this spare. The rubber compound used, does not harm the skin and is soft in nature.
  FOR M-7, M-1000, M-5 AND SIMILAR MODELS
  FOR M-3000 AND SIMILAR MODELS
CMA  29 SPARE ACCESSORY SHOE FOR VIDEO CAMERAS
  This spare replaces the damaged accessory shoe of video camera. Comes in two models to suit different cameras
  FOR M-7, M-1000, M-5 
  FOR M-3000 , M-8000, M-9000
CMA  30 CAMERA SYNCHRO POINT
  The difective & irrepairable "flash cord connecting point"  of cameras can be replaced with our " Synchro Point" manufactured as per international standard under strict quality control
CMA  31 FILM PICKER
  Film-leader can easily be extracted from sealed or closed cassette in daylight. No scratch or film, no light leakage. Easy to operate. Changing -bag darkroom not required.
CMA  32 CASSETTE OPENER
  A Simple device for easy opening of 35mm film cassettes.
CMA  33 RIGHT ANGLE SCOPE (Mirrorattach)
  Having the appearance of a telephoto lens it is an indispensable wonder attachment for " CANDID" photography. For shooting " true to life" pictures, it allows to take discreet right angle shots without subject's  knowledge, in particular where it is absolutely impossible to aim the camera towards the subject. As the camera is not aimed at the subject, it helps to capture the subjects natural mood and spirit and completely eliminates camera conscious reactions like feeling of shyness, not desiring to be photographed , or a completely innatural expression. To avoid vignetting it use is restrited with telephoto lenses only with 70mm focal length and above.
  49mm, 52mm, 55mm, 58mm, 62mm
  72mm
  77mm
CMA  34 DOUBLE EXPOSURE
  With this attachment you can capture two different snaps, side by side, in required composition also you can make your subject appear to reflected in a lake by turning the camera around . The aperture be used with wide-angle lenses: From F/8 to F/4 and with telephoto lenses: From F/22 to F/8 . The lighting must be the same for both exposures and the camera must be mounted on a tripod.
  49 mm, 52 mm, 55 mm, 58 mm
  62 mm, 67 mm, 72 mm
  77 mm
CMA  35 TWO FIELD LENS (Split Field)
  The two field lens is used for that special shot where two subject one "distant" and the other " closer", both need sharp focussing within the same picture frame. The attachment mounted in rotating rings helps to get a sharp and magnified foreground while maintaining the background in focus. For example a wrist watch" against a "clock tower" or a " flower" against a "mountain" can be sharp focussed within the same picture frame.
  49 mm, 52 mm, 55 mm, 58 mm
  62 mm , 67 mm, 72 mm
CMA  36 DIFFUSERS (Soft-Effect Filters)
  These filter graded as "Diffuser-1","Diffuser-2","Diffuser-3", diffuse highlights, reduce contrast and as such can be used for taking pictures with variable soft effects. As the filter soften the skin-texture, the portraits of ladies can be made very charming and attractive, a dreamy landscape picture can be produced, particularly in commercial photography. Effect is strongest with 50-100 mm or bigger focal length lenses at larger apertures. Use of wide angle lenses or shooting at smaller aperture is not recommended. The diffusion is minimal with "Diffuser-1",more stronger with " Diffuser -2" and strongest with " Diffuser-3".
  D-1                 D-2                D-3
  DUTO)         (SOFTONE)    (DIFFUSER)
  49 mm, 52 mm                                 105.00               105.00             105.00
  55 mm, 58 mm                                 120.00               120.00             120.00
  62 mm, 67 mm, 72 mm                     175.00               175.00             175.00
  77 mm                                             250.00               250.00             250.00
  DIFFUSER  KIT (Set of D-1, D-2, D-3)
  49 mm, 52 mm
  55 mm, 58 mm
  62 mm, 67 mm, 72 mm
  77 mm
CMA  37 RAINBOW FILTER LINEAR
  49 mm, 52 mm
  72 mm
  77 mm
CMA  38 STAR FILTERS 2,4,6,8 Flares
  Star Filters create eye catching star like patterns from brilliant point of light. The brighter & smaller the light source in the scene or subject , the greater and sharper effect is . They add to the artistic & decorative effects of night -litted scenes, stage-light decorations, sunrise, sunset, reflection on jewellery, sunlight on water and subjects showing specular hightlights. Depending on the pattern you can produce stars of 2, 4, 6 or 8 Flares. The number of flares can be increased by combining two star filters , although diffusion will be more noticeable.
  IN NON-ROTATING RINGS                2F/4F         6F               8F
  49 mm , 52 mm , 55 mm, 58 mm          45.00         45.00           50.00
  62 mm , 67 mm, 72 mm                       90.00         90.00           95.00
  77 mm , 82 mm                                  125.00        135.00         140.00
  IN ROTATING RINGS
  49 mm , 52 mm , 55 mm, 58 mm          55.00          58.00            60.00 
  62 mm , 67 mm, 72 mm                      110.00         115.00         120.00
  77 mm , 82 mm                                  155.00         160.00         165.00
CMA  39 VARI - CROSS SCREEN ( Dual Cross Star)
  The attachment consists of two independent rotating rings, each fitted with  " Two  Flare Star" . By rotating one or the other rings, parallel flare lines intercross and produce various fascinating cross angle star effect in still & video both.
  49 mm, 52 mm , 55 mm , 58 mm
  62 mm , 67 mm, 72 mm
  77 mm, 82 mm
CMA  40 CENTRE IMAGE SAND
  It produces crisp, clear , sharp image in the centre, surrounded by smoky screen , gradually fading toward edges.
  49 mm, 52 mm, 55 mm, 58 mm
  62 mm, 67 mm, 72 mm
  77 mm, 82 mm
CMA  41 CENTRE IMAGE SOFT
  Around a Sharp-focussed centre the surrounding area  shades out focus. So clear central portion is surrounded by imaginative, dreamy, multicoloured and baloon studded environment.
  49 mm, 52 mm, 55 mm, 58 mm
  62 mm, 67 mm, 72 mm
CMA  42 MULTI IMAGE LENS
  multi image lenses create identical images of 2,3,4,5,7 & 9 in PARALLEL, TRIANGULAR and RADIL patterns of the same subject on the same picture frame. Effect is strongest with a dark background and at larger aperture. The rotaing ring help proper subject composition. Can used with still & video both.
                                          2P        3P       3R         4R      5R       7R    9
  49 mm, 52 mm                82.00     82.00   82.00    82.00  82.00   95.00  95.00  
  55 mm, 58 mm                95.00     95.00    95.00    95.00  95.00  105.00  105.00
CMA  43 VIDEO FILTER KIT (Set of six)
  Consisting one piece each of
  * Multi image 5R
  * Multi Image 3R or 3P
* Spectra Star 4 Flare in rotating ring
* Spectra star 8 Flare in rotating ring
* Centre image Sand Screen
* Centre Image Soft Screen
49 mm, 52 mm
55 mm, 58 mm
CMA  44 MASK FRAMES WITH HOOD (Set of Six)
FOR VIDEO & STILL BOTH
The six different shaped "mask- frames" allow you to concentrate on the desired subject and to eliminate unnecessary detail in the surrounding. Selection of the subject is  favourably important to capture the spirit of the subject , whether a portrai, a nude or a landscape. The sharper the cutoutshape of the pattern used. CENTRAL " Spacer Ring" be used to increase the distance of the attachment from the camera lens.
49 mm, 52 mm, 55 mm, 58 mm
CMA  45 SPACER RING
This adaoter functions as an extension ring to extend to camera accessories like multi image Lenses, Centre Image Lenges, Mask Frames from the camera lens in order to change the composition of the picture.

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E-mail : centoptics@sancharnet.in


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